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But don’t get too comfortable with that one, here’s perhaps the most well-known melody of the bunch: the first two unique notes of Beethoven’s 5th Symphony. The most classic-est of classic major thirds.
In order to do so, we must rely on what we said before — moving fret by fret towards the body of the guitar will give us sharps (♯). On the 6th string, for example, we will get: E, F, F#, G, G#, A, A#, B, C, C#, D, D#, E), and then moving back towards the open strings we’ll get flats (♭), producing: E, E♭, D, D♭, C, B, B♭, A, A♭, G, G♭, F, E.
In addition to plugins like the above, there are many software instruments and patch libraries that will provide you with ready-made approximations of that coveted Boards of Canada sound. These will no doubt be valuable to some, but I’m a believer in DIY production: You get way more financial and personal value from learning the process yourself rather than using a tool where it’s hidden away from you under the hood.
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What I like about GrungeCake (besides their name) is their motto: “A collection of empirical stories and honest reviews, targeting emerging and popular commodities.” This site is filled with ways to highlight the arts in every manner, and they do this through reviews, features, news, and streams — anything to tell the stories of the artists who frequent their pages.
Grants for music education students
What’s this have to do with song lengths? Mainly, this unheard-of achievement outlines, among other things, that song lengths, album lengths, and music video lengths just don’t matter as much anymore. Why?
Will Marshall is a singer, composer, producer, pianist, synthesist, engineer and educator. Will has engineered for artists such as Oscar-nominated film composer Nicholas Britell, Grammy-nominated jazz musician Patrick Gleeson, R&B singer Vudajé, experimental composer Augur Duende, and electronic acts Ill Gates, Freq Nasty and the Fungineers. He is currently consulting mix engineer and producer for Sennie Records in San José. As an educator, Will taught at Pyramind in San Francisco from 2015-2018 and is a well-known authority in the creative applications of music technology. He has written and directed several in-depth educational video series, taught numerous workshops, and accepts occasional private students.
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Patrick McGuire is a writer, musician and human man. He lives nowhere in particular, creates music under the name Straight White Teeth, and has a great affinity for dogs and putting his hands in his pockets.
So, now that you’re equipped with some of the tools and knowledge of the most common forms of song structure, keep in mind yet again that there are no rules to songwriting! There are only basic ideas and pieces of advice that you can borrow from as you sit down and create something that’s meaningful to you! It’s helpful to have these weapons in your arsenal. When it comes down to it, the best thing you can do as a new songwriter experimenting with song structure is to try and write with all kinds of structures and figure out what works best for you.