So let’s do it. Let’s make a tuning system out of the harmonics of the C string. First, we should find the C, G, and E whose frequencies are as close to each other as possible. We’ve already got C at 1 Hz. We can bring our G at 3 Hz down an octave by dividing its frequency in half. This gives us a G at 3/2 Hz. We can also bring our E at 5 Hz down two octaves by dividing its frequency in half twice. This gives us an E at 5/4 Hz. When you play 1 Hz, 5/4 Hz and 3/2 Hz at the same time, you get a lovely sound called a C major triad. Cool!

As you may already know, the use of music and lyrics in karaoke is another mechanical use that can be another source of songwriter royalties. Aside from the kick you’ll get out of hearing your friends and total strangers belting out your songs at the local bar, you’ll also earn royalties every time someone sings your song. Licensing your music for use with karaoke could also potentially generate royalty income in a number of different ways including publishing, mechanical, and synchronization rights.

These classic music videos feature thought-provoking concepts and communicate the message of their song perfectly, in ways that we can borrow ourselves.

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One of the questions I get asked most frequently as a professional songwriter is: “How do you stay inspired when writing every day?” And it’s a valid question — one with multiple answers!

Mahea Lee is a classically trained pianist and composer who has a degree from a jazz school and leads an electro-pop band. Her greatest musical passion is lyrical songwriting, but she’s been known to write the occasional fugue. She graduated from Berklee College of Music, where she majored in Contemporary Writing and Production and minored in Music Theory. For more Mahea, check out Soundlfly’s course, The Improviser’s Toolkit.

Yet the question of commerce is also a factor, and Wu-Tang’s refusal to sell more than a single copy of the album bears a much stronger resemblance to the practices of creative commissioning and artistic production of the Renaissance. No distribution.

All this is corroborated by an intensification of dynamics, which grow gradually into fortissimo (1:05 onwards). A first climax is reached in the Prestissimo section: (d.) is now played by both hands and the staccato articulations are now accented, longer (and therefore heavier) notes (1:58).

A great example of this is in Maurice Ravel’s String Quartet in F Major, right at the beginning of the second movement (which starts at 7:41 in the below video). In the second measure, the second violin and viola continue their eighth-note pattern grouped in threes, while the first violin plays descending quarter notes, essentially groups of two eighth notes.

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So you want to show off your brand new song to a record label or potential manager, or to book a string of upcoming gigs, or even your friends and family, but there isn’t a producer in sight who could do it on short notice and for less than a few grand. Well, the good thing is that this situation is exactly what Logic Pro is made for.

Chantel De Lava’s soft synths and laid-bare vocals breathe new life into R&B-infused synthpop. Despite heavy use of electronics, the mix never loses warmth or depth of emotion, leaving room for more open sections and gorgeous vocal runs. Stay late for ZEMA, an electropop singer/producer who writes infectious tunes that will get your hips shakin’ of their own accord.

Born in Altamura in 1795, Saverio Mercadante is considered one of Italy’s most overlooked masters. That fact is extremely hard to believe since he’s known to have written at least 58 operas!! During his life, he did quite well for himself, working in Austria, Spain, and Portugal, as well as in Italy.

And he spent a long time watching 

On this day, 57 years ago, James Brown and his Famous Flames recorded what would become one of the most earth-shattering funk and soul albums of all time.