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Diggers Factory is an online vinyl pre-order and production service built like a crowdfunding platform and with an international network of digital “crate-diggers” to back it up. Founder Alexis Castiel actually calls it “a community platform,” as it offers fans and professionals a chance to work together to make exciting projects come to life. Their mission is to help artists never waste another penny on costly vinyl production. 

Modern equipment is incredibly versatile. Sometimes a Swiss army knife unit can take the place of several other pieces of your gear arsenal. If you have something else that does the job just as well, why bother keeping both?

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Alex is a multi-instrumentalist, composer and producer from Sydney, Australia. He founded the post-rock band sleepmakeswaves, with which he has toured Asia, America, Europe and Australia. In his spare time he writes music for short films, produces bands and subsists on altogether too much coffee. Alex is the instructor of the free Soundfly course, Live Clicks and Backing Tracks.

Explore Soundfly’s wide array of free online courses and expand your musical skills over your lunch break! Here’s just a few free courses you can choose from: Music Theory for Bedroom Producers, Touring on a Shoestring, How to Get All the Royalties You Never Knew Existed, and of course, How to Create a Killer Musician Website.

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A lot of pop, hip-hop, and electronic tracks are skipping the bridge these days. You can hear this song form or something similar in the following tracks:

In 2013, a 20-year-old Miley Cyrus was trying to shed her Hannah Montana good-girl youth image. Stuff like that can usually take an album or two, a couple promotion campaigns, and some time to sculpt, but not for Miley. Her image was resculpted in a matter of minutes with this viral good-girl-gone-bad performance at the the VMAs alongside the also-controversial Robin Thicke.

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Music creation software follows a few different interface metaphors: the multitrack mixing desk (Pro Tools), the rack of modular synths (Reason), the sheet of staff paper (Sibelius, Dorico, Noteflight). There are also hybrids of all of the above (Logic). Ableton Live is in a category by itself, because it’s organized around a kind of performable spreadsheet. Serato’s metaphor is two turntables, a crate of vinyl records, and a DJ mixer.

But every once in a while, a new song will transport me to that same place where music has always made me feel at home, and every now and then a new artist will remind me of the artists I used to love. When I’m transported back, it feels like such a simpler, more magical time. But it can also remind me that we’ve changed so much — sometimes for the better — in 2019.

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“Using the technique adapted to a small instrument the man writes a whole world of the deepest thought and most powerful feeling. If I could picture myself writing, or even conceiving, such a piece, I am certain that the extreme excitement and emotional tension would have driven me mad.”

Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.